Not only do I read and study poetry with my students, but we also write poetry during this time. What's interesting about this is the students who end up writing the most amazing stuff are often the students who write little else (or nothing else) for me all year long; sometimes they are knuckleheaded boys (aren't all 15 year old boys knuckleheads?) who write amazing images, show their sense of humor, capture moments most clearly without the melodrama of emotion that permeates so much of the writing of 15 year old girls; the students who struggle with just about everything, but wear their pride on their faces when they finish a poetry assignment. It's hard as a teacher not to get high off of that.
But a new wrench was thrown into the cogwheels this year with the dissolvement of my school's special ed classes. I have had a number of students join my classes who normally wouldn't, including a few with Asperger's syndrome. One of the things that many of these students struggle with is things that aren't literal: metaphors and similes; interpretation of emotional expression in reading and writing; expression of emotion in their own writing. In short, my entire 4th quarter's curriculum.
What am I to do? I don't want to just excuse all of these writing opportunities just because it is difficult, do I? But am I asking the impossible if I don't? Am I encouraging a "can't do" attitude or punishing a student because they learn differently? What is the proper balance among including, accommodating, and stretching these highly functioning yet special needs students? This is the question I still haven't answered two weeks into this unit.
On Thursday, after having a successful discussion about the poem "My Papa's Waltz", I assigned my students to write a poem about a childhood memory. Some started writing immediately after the directions, others jumped into socializing, and there sat Allison* staring at me with furrowed eyebrows. After a few students proudly presented to me some of their works-in-progress, I made my way over to her to do some damage control. How was I going to work through this with her? Earlier in the year, her mother had told me Allison couldn't do an assignment involving figurative language because of her Asperger's, followed by telling me she didn't want me to just excuse her from it. After my initial bewilderment at the contradicting statements, I made some adjustments to the assignment and Allison completed it successfully, so I knew that it was possible for her to work with poetic language to some extent, but I have no idea how to adjust the actual writing of poetry that we are doing now (I am so clueless about this side of teaching!). Allison said she didn't have any memories about her childhood, but I had one trick up my sleeve (here's my plug for getting to know students individually) - I know that she rides horses as part of her therapy. So I suggested she write about the first time she rode a horse. Right away she smiled and started listing names and words that weren't coherent thoughts to me, so I had to do some prodding. Simply listing word does not a poem make; adding sensory details does help though. What about smells? What sounds do you remember? Feelings? Colors? Though she argued with me that she can't smell and her mother wouldn't like her to smell leather and hay because her brother is allergic and her mother is sensitive to strong smells (hey, her mind works in an interesting way) I started to put together the phrases she had listed to show her that what she did remember could be turned into a poem - black horse with a faded star, wanting the horse to go "faster, faster," English style saddle - and she never lost her smile, even while arguing with me. And I started to remember the feelings I had from my earliest memories of being on and around horses so that I could get her to tell me what she remembered. I was grateful for all the times I had posted equestrian calendar pictures up on my bedroom wall, begged my parents to pull over to the side of an obliging field for an impromptu petting session, nuzzled my nose into a dusty neck, felt the wiry whiskers on a velvety nose, breathed in the hay and leather. She may not be a poet, and she may not even write about that or anything and I'll have to excuse her from the assignments after all, but I'm grateful for my childhood love because 25 years later I would be sitting next to a girl who loves horses just as much as I do, and maybe more, but doesn't necessarily have the words. But I will somehow help her find them, because I do.
*student's name has been changed
*student's name has been changed

